跨海之旅:胡秋原文艺观简论  

Cross the Strait:A Brief Study on Hu Qiuyuan’s Literary Ideas

作　　者：计璧瑞[1] Ji Birui

机构地区：[1]北京大学中文系,北京100871

出　　处：《台湾研究集刊》2022年第2期91-105,共15页Taiwan Research Journal

基　　金：2019年度国家社科基金重大攻关项目“百年台湾文学中的中华民族叙事研究”(19ZDA279)。

摘　　要：胡秋原是从大陆到台湾的文艺理论家,在1930年代与大陆左翼文艺展开的文艺自由论辩和1970年代台湾的乡土文学论战中均有较大影响。其文艺理念兼具自由观和民族主义特征,即:提倡文艺自由,反对文艺服务于政治宣传;坚持民族本位,主张在民族主义基础上建设民族国家的文艺。本文尝试梳理胡秋原文艺思想脉络,从1930年代和1970年代他的文艺论述相对集中的两个时期展开叙述,考察其民族主义和自由主义特征的具体表现形态,进而思考民族主义文艺理念与文艺自由观在两岸的境遇。Hu Qiuyuan was a literary theorist who moved to Taiwan region from Chinese mainland.He played an important role in both the debate on the“freedom of literature and arts”among the Left-Wing writers in the 1930 s’mainland and the debate on the“Taiwan nativist literature”in the 1970 s’Taiwan.Hu’s literary theory smacked of both liberalism and nationalism:On the one hand,he advocated the freedom of literature and arts and opposed the use of literature and arts for political propaganda.On the other hand,his commitment to nationalism prompted him to endorse literature and arts that would serve the construction of the nation-state.Analyzing Hu’s arguments articulated in the 1930 s and 1970 s debates–the two fruitful periods in Hu’s literary theorization—this paper intends to identify the internal rationale of Hu’s literary theory,especially the mix of nationalistic and liberal elements.By doing so,the paper sheds light on the fate of literary nationalism and literary liberalism across the Strait.

关 键 词：胡秋原 文艺自由观 民族主义文艺理念 

分 类 号：I206[文学—中国文学]