隐含作者视角下《幸福的家庭》中“沉闷”的变调  

“Dull Melody Change”in Happy Family from the Perspective of Implicit Author

作　　者：刘丽莹 LIU Liying(School of Humanities,Guangzhou University,Guangzhou 510006,China)

机构地区：[1]广州大学人文学院,广东广州510006

出　　处：《苏州教育学院学报》2022年第1期90-97,共8页Journal of Suzhou College of Education

摘　　要：“讽刺”被认为是小说《幸福的家庭》的主要基调,而鲁迅在《附记》中所言“出了轨”的笔致以及“沉闷”的变调,则昭示着与“讽刺”相左的情感内蕴。借助隐含作者这一理论,探究隐含作者在编码过程中通过意象的复调以及人物身上的矛盾错位前景化,造成读者将“讽刺”误认为是真实作者的唯一态度;而最后在“出了轨”的笔致以及“沉闷”的变调中,真实作者鲁迅以极其隐蔽的意识现身,将自己与主人公一起置于深入灵魂的审视下,讽刺的意味逐步消解,主人公的多重绝望显现,在文本的显与隐中,深蕴着鲁迅反抗绝望的生命哲学。“Irony”is regarded as the keynote of the novel Happy Family,while the“off-track”style and the“dull”melody change mentioned by Lu Xun in the Postscript reveal the emotional connotation different from“irony”.Therefore,based on the theory of implicit author,this paper discovers that in the process of implicit author coding process,readers mistakenly believe that“irony”is the only attitude of the real author due to image polyphony,and by foregrounding the characters’conflicts and misplacement.With an“off-track”style and“dull”melody change,Lu Xun,the real author ultimately emerged in an extremely covert manner,putting both the author and the protagonist in a soul-touching scrutiny,dissolving gradually the sense of irony,and revealing the multiplied despair of the protagonist.Both the explicit and implicit words contain Lu Xun’s profound life philosophy of contending against despair.

关 键 词：鲁迅 《幸福的家庭》 隐含作者 讽刺 复调 

分 类 号：I206.6[文学—中国文学]