论指向戏剧演出文本边界的“底本”符号  

On the Narrated Elements Pointing to the Boundaries of a Performance Text

作　　者：胡一伟[1,2] Hu Yiwei(School of Journalism and Communication,Nanchang University;Visiting Scholar of University of Toronto)

机构地区：[1]南昌大学新闻与传播学院 [2]多伦多大学

出　　处：《符号与传媒》2022年第1期153-162,共10页Signs & Media

基　　金：国家社科基金青年项目“演示类叙述的数字化传播特征及价值内涵研究”(18CXW022)中期成果。

摘　　要：戏剧演出文本是即时的、一次性的,它使得演出文本的边界有一定模糊性。但任何文本的形成都与叙述行为的双轴操作有关,在聚合与组合的过程中,可以通过被显现的底本元素探寻戏剧演出文本的范围,即演出环节中,受众与表演者的自身情况(包括个人经验和社会经验、喜好兴趣、记忆力等),被展示的空间氛围(包括表演场景造成的灵感、迷醉等情绪),以及某种经验基模协同作用于演示框架,共同指向戏剧演出的文本边界。The impromptu and one-off nature of a performance text tends to obscure its boundaries.The formation of any text,however,is related to biaxial operations of narrative behaviour.In the process of aggregation and composition,the range of a performance text can be explored through the display of its original elements:during the performance,the situation of the audience and the performers(their personal and social experiences,preferences,memories,etc.),the displayed space and atmosphere(including the inspiration,intoxication,and other emotions caused by the scene),and a certain empirical model combine to form a presentation framework that can clarify the boundaries of a performance text.

关 键 词：叙述行为 演出 底本元素 经验基模 

分 类 号：J812[艺术—戏剧戏曲]