论近年中国影视作品中的回旋跨层  

Cyclical Transgression in Recent Chinese Movies and Television Dramas

作　　者：李莉[1,2] Li Li(ISMS research team of Sichuan University;School of Foreign Languages,Shenzhen University)

机构地区：[1]四川大学符号学-传媒学研究所 [2]深圳大学外国语学院

出　　处：《符号与传媒》2022年第1期178-189,共12页Signs & Media

摘　　要：近年来,中国文艺作品越来越多地运用叙述跨层与回旋跨层手法,令作品呈现奇幻、悬疑等特色。回旋跨层是自指悖论的一种形式,它将叙述层与被叙述层融为一体,打破了因果关系和线性的时间流逝。在近期中国影视作品里,回旋跨层出现日益复杂化的趋势。根据不同分类标准,这些回旋跨层可被分为整体回旋和个体回旋、完全回旋和不完全回旋、单次回旋和缠绕回旋等几种类型。打破回旋的怪圈需要寻找高一层级以及内部的突破动力。Narrative transgression and cyclical transgression are frequent in recent Chinese literary and artistic works,displaying fantastic and mysterious characteristics.Cyclical transgression is a form of self-referential paradox that combines the narrating and narrated levels while breaking chains of causality and the linear passage of time.In recent Chinese novels,movies,and television dramas,cyclical transgression has become increasingly complex.According to various classificatory criteria,cyclical transgression can be divided into whole and individual,complete and incomplete,or single and tangled forms.The means of breaking the vicious circle of transgression can be found at a higher level or from within the circle.

关 键 词：叙述跨层 回旋跨层 自指悖论 怪圈 

分 类 号：J905[艺术—电影电视艺术]