“儒侠”的仪式化塑造:《民报》与清末侠风  

The Ritual Formation of ruxia:Min Bao and the Chivalrous Style of the Late Qing Dynasty

作　　者：王发达 Wang Fada

机构地区：[1]南京大学历史学院

出　　处：《新闻与传播研究》2022年第3期108-125,128,共19页Journalism & Communication

摘　　要：清末革命派从社会背景论述中重塑“儒侠”形象,其中的流变痕迹与塑造内容都不是被动形成的。当“侠”作为一个精神符号在革命流血叙事中频频出现时,《民报》以仪式性的传播模式,从革命史实和精神阐释两个叙事层面,实现中国传统与近代革命形象的糅合表达。革命派一方面将近代中国革命的具体史实纳入“侠”的阐释范畴,另一方面赋予革命偶像以意义性。《民报》据此形塑出一系列契合革命理念的“儒侠”形象,书写革命史诗,在社会上引发强烈的价值认同与情感共享,形成革命认同乃至民族主义认同的生产场域。On the basis of the social condition in the late Qing Dynasty,the Revolutionary School reconfigured the"ruxia"in which its evolution and connotation were not passive.When"xia"appeared as a spiritual symbol frequently in the revolutionary narratives,Min Bao used a ceremonial dissemination mode to realize the mixed expression of Chinese tradition and modern revolutionary images from the two narrative levels of revolutionary historical facts and spiritual interpretation.On one hand,the Revolutionary School infused the specific historical facts of the modern Chinese revolution into the interpretation of"xia".On the other hand,they bestowed revolutionary idols meaning.Based on this,Min Bao constructed a group of"ruxia"images in line with the revolutionary concept,wrote revolutionary epics,triggered strong value identification and shared emotions in the society,and formed a production field of revolutionary identification and even nationalist identification.

关 键 词：《民报》 儒侠 事实构成 意义构成 革命意识形态 

分 类 号：K252[历史地理—历史学] G219.29[历史地理—中国史] D693[文化科学—新闻学]