2021年中国电影创作现象分析  

An Analysis of Chinese Film Creation in 2021

作　　者：田卉群[1] Tian Huiqun

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2022年第2期80-86,共7页Film Art

摘　　要：2021年的中国电影呈现出五种较为鲜明的创作特色,其一,多重时空叙事广泛应用于一批不同风格、类型、题材的影片中。本文分析这一创作现象产生的技术与时代背景,并采取巴赫金的“对话”理论和“长远时间”概念,在叙事层面进行分析。其二,英雄叙事的多样性。其三,优秀现实主义影片呈现不同的创作路径。其四,喜剧的悲欣交集。其五,动画片与真人电影遥相呼应。这五种特色构成了2021年电影创作的基本格局。Chinese films in 2021 show five distinct features regarding its production. Above all, multiple space-time narration is widely applied in a number of films with different styles, genres and themes. This paper analyzes the technological and historical background of this creative phenomenon, and adopts Bakhtin’s “dialogue” theory and the concept of “long-term time” to analyze it at the narrative level. Secondly, the diversity of heroic narration seems universal in such films. Thirdly, Chinese film studios adopt a variety of creative ways to make excellent realistic films. Next, some films of this period are comedies with sadness and joy. Lastly, there are also animated films that echo with live-action movies. The abovementioned characteristics constitute the basic pattern of film production in 2021.

关 键 词：中国电影 多重时空叙事 英雄叙事 现实主义 

分 类 号：J904[艺术—电影电视艺术]