《奇迹·笨小孩》:全景与特写下的城市中国  

Nice View:Panoramic and Close-up Views of the City of China

作　　者：张慧瑜 Zhang Huiyu

机构地区：[1]北京大学新闻与传播学院

出　　处：《电影艺术》2022年第2期101-103,共3页Film Art

基　　金：2021年研究阐释党的十九届五中全会精神国家社会科学基金重点项目“以文艺作品质量提升为导向的数字时代文艺批评机制研究”(批准号:21AZD053)阶段性成果。

摘　　要：《奇迹·笨小孩》把现实题材电影与商业类型片有机融合起来,用深圳都市的大全景与卑微小人物的大特写来形成强烈对比,突出小人物创造人间奇迹的艰难。影片制造了三重叙事层次:一是讲述了身处底层的小人物依靠拼搏逆天改命的"奇迹";二是呈现了深圳作为改革开放之窗的现代都市的多重性;三是展示了完成现代化之后的新时代的中国故事。相比20世纪在传统与现代、乡村与城市的二元框架下中国故事的撕裂,当下的中国电影开始讲述更内在的现代都市故事。Nice View organically integrates realistic films with commercial films,and realizes the narrative effect of shaping typical characters(stupid child)in a typical environment(urban jungle).The film uses the panorama of Shenzhen city to form a strong contrast with the big close-up of humble people,highlighting the difficulty of ordinary people in creating miracles in the world.The film itself creates three levels of narration.One is about the“miracle”of the people at the bottom who change their lives by fighting against the fate;Second,it shows the multiplicity of modern cities in Shenzhen as a window of reform and opening up;Third,it shows the Chinese story of the new era after the completion of modernization.Compared with the tearing of Chinese stories under the dual framework of tradition and modernity,countryside and city in the 20th century,Chinese films in the 21st century began to tell more that are urban stories.

关 键 词：现实主义电影 商业类型 中国故事 深圳形象 

分 类 号：J905[艺术—电影电视艺术]