隐于故事之中的影像——与赵小丁谈《狙击手》的摄影创作  

Hidden Images of the Story: An Interview with Zhao Xiaoding on the Cinematography of Snipers

作　　者：梁丽华[1] Liang Lihua

机构地区：[1]北京电影学院摄影系

出　　处：《电影艺术》2022年第2期131-135,共5页Film Art

摘　　要：从《狙击手》的人物原型和故事风格出发,摄影指导赵小丁选择了回归初心,以朴素至真的手法进行影像创作。从《悬崖之上》到《狙击手》,影像致力于写实魅力的塑造,成为隐藏于故事之中的存在。为故事而创造影像,赵小丁以此为原则再现了抗美援朝战场上一群平凡而伟大的狙击手士兵。本文从影像构思、雪景拍摄的技术实现等方面,探索《狙击手》的影像创作方法以及赵小丁的影像美学观念。Starting from the character prototype and story style of Snipers, Zhao Xiaoding, the director of cinematography, stick to the principle of simplicity for image creation. From Cliff Walkers to Snipers, the image is devoted to shaping the realistic charm and has become a “hidden” in the story. Creating images for the story, Zhao Xiaoding takes it as the principle to reproduce a group of ordinary but great snipers of “resisting US aggression and aiding Korea”. This paper explores the image-creation method of Snipers and Zhao Xiaoding’s image aesthetics from the aspects of image design and the technical achievement of snow-scene filming.

关 键 词：《狙击手》 电影摄影 雪景拍摄 纪实风格 影像美学 

分 类 号：J931[艺术—电影电视艺术]