明清外销紫砂器与欧洲仿制品中的纹饰演变  

Evoluti on of Patterns Between Zisha-stoneware Exported in the Ming and Qing Dynasty and European imitations

作　　者：姜郭霞[1] 潘师敏 余天 JIANG Guoxia;PAN Shimin;YU Tian(Wuxi Vocational Institute of Arts and Technology,Yixing 214206,China;Hangzhou Tianni Culture&Art Co.,Ltd,Hangzhou 311100,China)

机构地区：[1]无锡工艺职业技术学院,宜兴214206 [2]杭州天尼文化艺术有限公司,杭州311100

出　　处：《中国陶瓷》2022年第4期98-106,共9页China Ceramics

基　　金：2020年江苏省高校优秀中青年教师境外访问学者项目(江苏省教育厅苏教师函[2020]15号)。

摘　　要：随着葡萄牙航海家达伽马发现了跌宕起伏、险象环生的东印度群岛航线,宜兴紫砂漂洋过海来到欧洲,并迅速受到欧洲各国达官贵族和皇室的青睐。外销紫砂在欧洲引起巨大反响,并有多个国家的陶工进行仿制,而具有中国传统纹饰风格的宜兴紫砂壶到了欧洲陶艺家手中便进行了初期的探索仿制、中期的风格继承和后期的创新发展三个阶段。尽管宜兴外销紫砂壶在欧洲市场的畅销期并不长,但它面临竞争时从未放弃与生俱来的中国纹样优势,这正是宜兴紫砂器能在世界陶瓷史中产生若干影响力的重要因素。With the discovery of the ups and downs and dangerous East Indies route by Portuguese navigator da Gama,Yixing Zisha sailed across the sea to Europe and was quickly favored by dignitaries,nobles and royalty in European countries.The export of Zisha-stonewear has caused great repercussions in Europe,and potters from many countries have imitated it.When Yixing Zisha teapot with Chinese traditional decorative style came to the hands of European potters,it has carried out three stages:initial exploration and imitation,style inheritance in the middle and innovation and development in the later stage.Although the best-selling period of Yixing export Zisha teapot in the European market is not long,it has never given up its inherent Chinese pattern advantage in the face of competition,which is an important factor for Yixing Zisha-stonewear to have some influence in the history of world ceramics.

关 键 词：紫砂壶 外销 欧洲仿制品 纹饰风格 

分 类 号：J522[艺术—艺术设计]