皇侃《论语义疏》的骈俪化探析  

On the Tendency of Art of Parallelism in HUANG Kan's Lunyuyishu

作　　者：席娜 XI Na(School of Marxism,University of Chinese Academy of Social Sciences,Beijing 102488,China)

机构地区：[1]中国社会科学院大学马克思主义学院,北京102488

出　　处：《枣庄学院学报》2022年第3期71-77,共7页Journal of Zaozhuang University

摘　　要：骈俪是六朝文章最为显著的特征,对当时经史子集具有广泛的影响。皇侃《论语义疏》中,汉代经学注解文辞质朴;三国曹魏时期,语辞简洁,并出现了属辞比事的文学技巧和简单的对仗句;至晋宋齐梁,则有着明显的骈辞丽句。这种骈俪化色彩应归因于:一是文学社会地位提升,位列官学;二是统治者爱好文学,使文学成为文人进入庙堂的门径;三是儒士讲经义疏的语辞需要。探求经学注疏的文学色彩,对思考文学与经史子集的关系将有助益。Art of parallelism is the most prominent feature of the articles of the Six Dynasties,which had a wide influence at that time.In HUANG Kan's Lunyuyishu,the words of the confucian scholars in the Han Dynasty was simple and meticulous.During the period of the Three Kingdoms,the confucian scholars used simple language to interpret,and used metaphorical literary skills and simple antithetical sentences in the text.In the Jin,Song,Qi and Liang dynasties,there was an obvious art of parallelism in the articles.The reasons for phenomenon are as follows:first,the social status of literature had improved and literature had become an official discipline.Second,the rulers loved literature,and literature became the way for literati to enter politics.Third,the language needs of confucian lectures.Exploring the literary color of the annotations to the analects of confucius will be helpful to thinking about the relationship between literature and other disciplines.

关 键 词：《论语义疏》 骈俪 文学与经学 

分 类 号：I0-05[文学—文学理论]