新时期戏剧“寻找”母题的主要模式及其伦理意义  

Main Patterns of the Motif of“Seeking”and Its Ethical Significance of Drama in the New Era

作　　者：宋向阳 SONG Xiangyang(Dept.of Ideology,Politics and Basic Education,Nanjing Institute of Media,Nanjing 211172,China)

机构地区：[1]南京传媒学院思政与基础教学部,江苏南京211172

出　　处：《江苏海洋大学学报（人文社会科学版）》2022年第2期73-80,共8页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

基　　金：国家社会科学基金艺术学一般项目(18BB031);江苏省高校哲学社会科学研究专题项目(2019SJB887)。

摘　　要：戏剧是“道德判断的试验场”,“寻找”是戏剧的基本母题,剧作家的伦理思考往往具体化为作品中主体对客体的寻找,并借以探索各种善与恶的可能性。“寻真”“寻根”“寻路”是“新时期”戏剧“寻找”母题的三种显在模式,“寻找”的意义呈现出从社会批判到文化思考再到哲理探索的递进,赋予新时期戏剧多方位、多层面、丰富复杂的伦理内涵。Drama is a“testing ground for moral judgment”and“seeking”is the basic motif of drama.The playwright’s ethical thinking is often embodied in the subject’s search for the object in his works,so as to explore the possibilities of all kinds of good and evil.“Seeking truth”,“seeking root”and“seeking path”are three obvious modes of the motif of“seeking”in the drama of the“new era”.The significance of“seeking”shows the progression from social criticism to cultural thinking and then to philosophical exploration,which endows the drama of the new period with multi-directional,multi-level,rich and complex ethical connotation.

关 键 词：新时期戏剧 “寻找”母题 “寻真” “寻根” “寻路” 伦理意义 

分 类 号：I207.3[文学—中国文学]