抒情与纪实:第六代电影中的仿纪录片影像  

Emotional Expression and Documentary:Dramatic Documentary Images in Sixth-Generation Films

作　　者：张倩玉 Zhang Qianyu

机构地区：[1]中山大学艺术学院,广东广州510275

出　　处：《艺术探索》2022年第2期119-128,共10页Arts Exploration

摘　　要：第六代导演作品中的仿纪录片源于电影语言现代化以来纪实美学对现实主义创作方法的扩充。作为电影形式技巧之一的仿纪录片,一方面通过对所谓现实的“引用”强调真实;另一方面通过模糊主客观界限,将强烈的作者主观情感和思想观念直接引入剧情片中,用纪实美学达成了独特的抒情。The dramatic documentaries created by the sixth-generation filmmakers originated from the expansion of realistic creation methods informed by documentary aesthetics,and brought about by the modernization of the film language.As one of the techniques of filmmaking,dramatic documentaries do on the one hand emphasize the truth by"quoting"the so-called reality.On the other hand,by blurring existing boundaries between the subjective and the objective,the creator’s strong subjective emotions and ideas are directly infused into the drama,thus releasing a unique emotional expression marked by documentary aesthetics.

关 键 词：第六代导演 抒情 仿纪录片 纪实美学 

分 类 号：J952[艺术—电影电视艺术]