论耶利内克的戏剧创作特色  

On the Characteristics of Jelinek’s Drama Creation

作　　者：陆佳媛 LU Jiayuan(Department of German,Jiangsu University of Technology,Changzhou 213001,China)

机构地区：[1]江苏理工学院德语系,江苏常州213001

出　　处：《三明学院学报》2022年第2期110-115,共6页Journal of Sanming University

基　　金：江苏高校哲学社会科学研究一般项目(2021SJA1195);江苏理工学院社科基金项目(KYY19538)。

摘　　要：2004年,奥地利当代女作家埃尔弗里德·耶利内克夺得诺贝尔文学奖。“社会批判”是贯穿其文学创作生涯的关键词,其戏剧作品中的每字每句都是对社会病症毫不留情的犀利诊断。在戏剧创作上,她断然拒绝传统戏剧的规律与制式,她的叛逆不仅体现在写作手法的不随大流、另辟蹊径上,还体现在她头脑中盘旋的语言之于戏剧意义的独到见解上。她的戏剧作品具有强烈的实验性与音乐性,同时又与现实密切相关、相互映照,在戏剧领域可谓独树一帜。In 2004, Austrian contemporary female writer Elfriede Jelinek won the Nobel Prize in Literature. "Social criticism" is a key word throughout her literary career. Every word and sentence in her dramatic works is a merciless and sharp evaluation of social problems. As for drama creation, she categorically rejects the laws and systems of traditional drama. Her treachery is not only reflected in her writing style of not following the trend but finding a new way, but also in her unique view of the language in her mind on the significance of drama. Her dramatic works are very experimental and musical,which are closely related to reality at the same time, being unique in the field of drama.

关 键 词：耶利内克 德语戏剧 社会批判 

分 类 号：I521.073[文学—其他各国文学]