吸收、转化与扩张--莫言《檀香刑》与鲁迅创作的互文性研究  

Absorption,Transformation and Expansion--The Intertextuality between MO Yan’s Sandalwood Death and LU Xun’s Works

作　　者：王学谦[1] WANG Xue-qian

机构地区：[1]吉林大学文学院,长春100463

出　　处：《求是学刊》2022年第2期161-168,共8页Seeking Truth

基　　金：吉林省社科基金项目“鲁迅传统与当代文学”(2021B177)。

摘　　要：在当代作家中,莫言是受鲁迅影响比较大的作家。在莫言的作品中往往可以看到鲁迅文学的影子。莫言的《檀香刑》与鲁迅创作具有非常深刻的互文性。在一定意义上,甚至可以说《檀香刑》是对鲁迅文学的吸收、转化和扩张。《檀香刑》的酷刑叙述是其突出的特征,鲁迅创作之中也有酷刑叙述。“看客”是鲁迅创造的,莫言也写了“看客”,同时也将刽子手赵甲作为主要人物。《檀香刑》的视角转换是对《狂人日记》视角转换的发展或复杂化。MO Yan is greatly influenced by Lu Xun among contemporary writers.We can often see the shadow of LU Xun’s writing in MO Yan’s works.There is a very profound intertextuality between MO Yan’s Sandal⁃wood Death and LU Xun’s works.In a certain sense,it can be said that LU Xun’s works were absorbed,trans⁃formed and expanded in MO Yan’s Sandalwood Death.The torture narrated in Sandalwood Death is a promi⁃nent feature,as is the narrative of torture in LU Xun’s writing.LU Xun creates a unique literary figure named“spectator”and MO Yan also describes this figure in his novel.At the same time,MO Yan also writes about the“spectator”while using the executioner ZHAO Jia as the main character in his novel.The perspective transformation in Sandalwood Death is the development and complication of the perspective transformation in The Diary of A Madman.

关 键 词：《檀香刑》 莫言 鲁迅 酷刑 互文性 

分 类 号：I207.425[文学—中国文学] I210.976