“地戏”称谓及其文化意涵递嬗  

The Appellation of“Dixu”and the Evolution of Its Cultural Implication

作　　者：王金玲 张军[3] WANG Jinling;ZHANG Jun

机构地区：[1]华南理工大学马克思主义学院 [2]贵州民族大学 [3]贵州大学文学与传媒学院

出　　处：《湖北民族大学学报（哲学社会科学版）》2022年第3期154-160,共7页Journal of Hubei Minzu University：Philosophy and Social Sciences

基　　金：国家社会科学基金重大项目“屯堡文化综合数据库建设”(17ZDA164)。

摘　　要：地戏作为屯堡人最具标志性的文化符号,层累了不同历史语境下复杂的社会因果关系。理解“地戏”称谓及其文化意涵的递嬗,需从三个层面加以把握:一是钩沉江南旧俗中的“地戏”;二是梳理从“跳神”到“地戏”的文化脉轮;三是作为屯堡人生存技术的一种隐喻。“地戏”是一个带有时代印记的称谓,从地戏-跳神-屯堡地戏(跳神)这一变化脉络中,可以窥见屯堡人对待自我文化的态度。As the most iconic cultural symbol of Tunpu people,Dixi has accumulated complex social causal relationships in different historical contexts.To understand the evolution of the appellation“Dixi”and its cultural connotation,it is necessary to grasp it from three aspects:first,to grasp the“Dixi”in the old customs in the south of the Yangtze River;second,to sort out the cultural sequence from“God dance”to“Dixi”;third,to regard it as a metaphor for the survival technology of Tunpu people.“Dixi”is an appellation with the imprint of the times.From the changing context of Dixi-God dance-Tunpu Dixi(God dance),we can get a glimpse of Tunpu people’s attitude towards their own culture.

关 键 词：地戏 江南旧俗 跳神 传统发明 

分 类 号：J825[艺术—戏剧戏曲]