清代闺秀诗文集序跋中的才女神异化书写析论  

The Study on the Mythical Writing in the Xu and Ba of Qing Women’s Anthologies

作　　者：邢小萱 XING Xiao-xuan(Department of Chinese Language and Literature,Hong Kong Baptist University,Hong Kong 999077,China)

机构地区：[1]香港浸会大学中国语言及文学系,中国香港999077

出　　处：《大连民族大学学报》2022年第2期140-149,共10页Journal of Dalian Minzu University

摘　　要：有清一代,规模化的闺秀书写及出版勃兴,缀于诗文集简端与简末的序跋自也随之郁起并逐渐形成自己的书写范式,其中便包括对才女作家的神异化书写。清代闺秀诗文集序跋中对才女的神异化叙写主要包括夙慧早慧说、天选说、谪世女仙说几种形态。在文体视域内,这一书写现象与清代闺秀诗文集序跋于商业出版场域内的经典化需求以及文体本身高度的社会性、应酬性息息相关。于文化语境中,在才女神异化书写则是闺秀文学观赏性与伦理性两种特性杂糅之下的产物。In the Qing dynasty,with the flourishment of female writing and publishing,the Xu and Ba of Qing women’s anthologies also developed and gradually formed its own patterns,and one of the patterns was the mythical writing towards female authors.This kind of mythical writing can be classified into several types,which were the precocious women,the chosen women and the fictitious goddess.From the perspective of the genre’s specialty,this phenomenon is closely related to the demand of classicization and the social nature of the Xu and Ba in Qing female writers’anthologies.In the cultural context,the mythical writing towards talented female writers is a product of the mixture of ethicality and enjoyment of female literature.

关 键 词：闺秀 序跋 神异化 性别 

分 类 号：I206.2[文学—中国文学]