中国现代书画学术谱系的梳理与阐释  

Carding and Interpretation of the Academic Pedigree of Chinese Modern Calligraphy and Painting

作　　者：龚文[1] Gong Wen(College of Arts, Chonging Normal University, Chongqing 401331, China)

机构地区：[1]重庆师范大学美术学院,重庆401331

出　　处：《重庆师范大学学报（社会科学版）》2022年第2期87-95,共9页Journal of Chongqing Normal University(Edition of Social Sciences)

基　　金：2013年教育部人文社会科学研究项目“传统书画艺术谱系的现代学术延展与当下学科使命”(13YJA760016)。

摘　　要：传统书画讲究技近乎道,即技、道之间的自然融合。但现代学术思想尤其西方学术传统则倾向于技与道的分离,这会在无形中分化肢解我们的书画传统,造成书画的现代学术研究与传统发生隔阂。我们既要重视专业素质的培养,又要强调综合素养的展示。因此,本文重点从现代书画学术研究之缘起、现代书画学术谱系之延续和现代书画学术谱系之拓展及融合方面进行梳理和阐释。Traditional calligraphy and painting pay attention to technology and Taoism,that is,the natural integration between technology and Taoism.However,modern academic thought,especially western academic tradition,tends to separate technology from Taoism,which will virtually divide and dismember our calligraphy and painting tradition,resulting in the estrangement between modern academic research and tradition of calligraphy and painting.We should not only pay attention to the cultivation of professional quality,but also emphasize the display of comprehensive quality.Therefore,this paper focuses on the origin of modern calligraphy and painting academic research,the continuation of modern calligraphy and painting academic pedigree,and the expansion and integration of modern calligraphy and painting academic pedigree.

关 键 词：现代书画 学术谱系 自然融合 山水画 

分 类 号：J212[艺术—美术]