莫高窟早期忍冬纹样的源流  

The Origins of the Honeysuckle Patterns in Early Mogao Caves

作　　者：赵声良[1,2,3] 张春佳 ZHAO Shengliang;ZHANG Chunjia(Dunhuang Academy,Dunhuang,Gansu 736200)

机构地区：[1]敦煌研究院,甘肃敦煌736200 [2]敦煌研究院党委,甘肃敦煌736200 [3]敦煌研究院学术委员会,甘肃敦煌736200

出　　处：《敦煌研究》2022年第1期49-62,共14页Dunhuang Research

摘　　要：针对莫高窟早期忍冬纹的样式,通过两条线索来追溯其源流:一是来自西方的影响,包括古代两河流域、古希腊、犍陀罗传来的艺术样式;二是先秦两汉以来的中国传统造型艺术及南北朝时期来自中原的新艺术风格。通过忍冬纹样式的不同类型不同时期的演变,可以看出西方与东方两个方面的影响,从而反映出敦煌艺术在不同文化、不同审美意识发展交融中形成的丰富艺术特色。This paper traces the origins of the decorative honeysuckle patterns in early Mogao caves along two lines of investigation.The first traces the Western influences evident in the patterns,namely the artistic styles of ancient Mesopotamia,ancient Greece,and Gandhara.The second line of investigation focuses on the Eastern influences behind the pattern,including traditional Chinese plastic arts from the pre-Qin and Han dynasties and the artistic styles of central China during the Northern and Southern dynasties.Tracing the historical development and cultural influences that produced the honeysuckle patterns grants a comprehensive view of both the uniquely regional artistic characteristics and the globally aware aesthetic consciousness of Dunhuang art.

关 键 词：莫高窟 忍冬纹 印度 希腊 犍陀罗 

分 类 号：K879.41[历史地理—考古学及博物馆学]