建筑空间的“反透明”——以SANAA事务所的设计解读透明性理论  

"Anti-Transparency"of Architectural Space:Interpreting the Transparency Theory with the Design Works of SANAA Architects

作　　者：李杨洋 李钢 Li Yangyang;Li Gang

机构地区：[1]上海大学上海美术学院

出　　处：《华中建筑》2022年第5期16-21,共6页Huazhong Architecture

摘　　要：近年来,SANAA建筑事务所在设计上屡获国际殊荣,其高辨识度的作品风格引起社会的广泛关注与追捧,这当中新颖的设计理念与方法极具借鉴意义。该文旨在解读该事务所的设计思想,以其近20年来的方案实践为线索,结合成型于20世纪60年代的“透明性”建筑设计理论,从“物理透明性”与“现象透明性”两种观念来分析该事务所在建筑设计中对室内外环境边界的消隐、空间均质化处理的手法。并且,SANAA事务所的设计思想随着项目的积累不断发生着变化,其不同时期的作品呈现出对两种透明性观念的继承、突破,乃至发展出对立的新内涵,这反映了后人的实践对已有理论的贡献与超越。In recent years,SANAA Architects has won many international awards in design,and its highly recognizable style of work has attracted widespread attention and pursuit in the society,among which the novel design concepts and methods are of great reference.Aiming to interpret the design ideas of the firm,taking its design works in the past two decades as a clue,and combining the"Transparency"architectural design theory formed in the 1960s,from two aspects:"phenomenal transparency"and"literal transparency",we analyze the method of SANAA Architects’method of blanking the indoor and outdoor boundaries and homogenizing the space in the space design.In addition,their design ideas are constantly changing with the accumulation of projects.Its works in different periods show the inheritance and breakthrough of the two concepts of transparency,and even develop new contradictory connotations,which reflects the contribution and transcendence of SANAA’s practice to existing theories.

关 键 词：SANAA 物理的透明性 现象的透明性 模糊性 匀质性 

分 类 号：TU-02[建筑科学—建筑理论]