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作 者:朱洁[1] ZHU Jie(School of Humanities,Nanchang University,Nanchang 330031,China)
出 处:《南昌大学学报(人文社会科学版)》2022年第2期94-102,共9页Journal of Nanchang University(Humanities and Social Sciences)
基 金:江西省社会科学规划项目“日本汉文小说中的女性形象研究”(21WX03)。
摘 要:越南作为儒家文化圈的国家之一,历史上深受儒家“华夷观”的影响,其在文学和历史书写中往往以己为“华”,以周边为“夷”,包括对西方国家,也一律以“夷”视之,其与文化母国——中国的关系则十分微妙。在特殊情势下,“华夷之辨”又变成“华夷之变”:即在越南国内政局动荡时,尊崇中国为“天朝”,并乞求出兵相助;而当两国关系紧张,尤其是兵戎相见时,则视中国为“贼寇”。政治上的独立和文化上的认同,使中越两国在历史上不时呈现出一种复杂而敏感的关系。As one of the countries in the Confucian cultural circle,Vietnam has been deeply influenced by the Confucian view of"Hua-Yi"in history.In its literature and history writing,Vietnam often regards itself as"Hua"and its neighbors as"Yi",including the western countries.Its relationship with the cultural mother country--China is very subtle.Under special circumstances,"the debate between Hua and Yi"turned into"the change of Hua and Yi".That is,when the domestic political situation in Vietnam was in turmoil,they revered China as"the Heavenly Kingdom"and begged for military assistance.And when relations between the two countries are tense,especially when they go to war,they see China as a"thief".Political independence and cultural identity make China and Vietnam present a complex and sensitive relationship at times in history.
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