后末日科幻想象里的性别、自然与解放--以《疯狂的麦克斯:狂怒之路》为例  

Gender,Nature and Liberation in the Post-apocalyptic Sci-fi Imagination—Illustrated by Mad Max:Fury Road

作　　者：王雨童 Wang Yutong

机构地区：[1]北京大学中文系

出　　处：《媒介批评》2021年第2期176-186,共11页Media Criticism

摘　　要：本文从经典后末日电影《疯狂的麦克斯》系列的新作《疯狂的麦克斯4:狂怒之路》引发的文化争议入手,首先分析后末日电影类型形成的影像风格和故事模式,作为西部片变奏的欧美后末日电影遭遇英雄叙事危机;继而指出《狂怒之路》的创新焦点,即女性主角以女性赛博格这一深具潜力的科幻形象为后末日电影开辟新内容;最后指出,超越单纯的性别对立之争,《狂怒之路》释放出利用后末日电影思考生态问题的想象力。The paper starts with the cultural controversy caused by the new work Mad Max:Fury Road of the classic post-apocalyptic movie series“Mad Max”.First,it analyzes the image style and story mode formed by this genre of movies as a variation of the Western Movies.Post-apocalyptic movies in Europe and the United States are faced with a crisis of heroic narrative.Then it points out the innovative focus of“Road of Fury”,that is,the female protagonist setting uses the female Cyborg,a sci-fi image with great potential,to open up new content for post-apocalyptic movies.Finally,it points out that beyond the simple battle of gender antagonism,Mad Max:Fury Road unleashes the imagination of using post-apocalyptic movies to think about ecological issues.

关 键 词：后末日电影 科幻 《疯狂的麦克斯:狂怒之路》 赛博格 

分 类 号：J905[艺术—电影电视艺术]