屠格涅夫对堂吉诃德形象认识中的圣愚化倾向  

Tendency of Holy Fool in Turgenev's Understanding of Don Quixote

作　　者：辛雅敏[1] 孙爱迪 Xin Yamin;Sun Aidi(College of liberal Arts,Zhengzhou University,Zhengzhou Henan 450000)

机构地区：[1]郑州大学文学院,河南郑州450000

出　　处：《沈阳师范大学学报（社会科学版）》2022年第3期95-100,共6页Journal of Shenyang Normal University(Social Science Edition)

基　　金：国家社会科学基金一般项目(21BWW063)。

摘　　要：在惯常的印象中,堂吉诃德多是以喜剧形象呈现。但随着更多解读声音的发出,堂吉诃德不再仅仅局限于传统“丑角”的形象。在19世纪的俄国,其形象开始被不断提升。屠格涅夫《哈姆莱特与堂吉诃德》可谓是堂吉诃德形象变化中的一个重要里程碑,其对堂吉诃德形象的解读带有丰富的“圣愚”气质。主要原因是,屠格涅夫在对堂吉诃德的形象评价中受到了俄国传统文化中圣愚形象的影响,以及堂吉诃德自身与圣愚具有诸多相似性。In the usual impression,Don Quixote appears as a comedy.However,with the emergence of more interpretation voice,Don Quixote is no longer limited to the traditional image of“clown”.In the 19th century,Russia's image was constantly promoted,and its pursuit of chivalry was gradually associated with Christian orthodoxy by critics.Turgenev's Hamlet and Don Quixote is a milestone in the change of Don Quixote's image.His interpretation of Don Quixote's image is rich in the“holy fool”temperament of Russian Orthodox Church.The main reason is that Turgenev's image evaluation of Don Quixote is influenced by the image of Holy fool in traditional Russian culture,and Don Quixote has many similarities with Holy fool.

关 键 词：屠格涅夫 堂吉诃德 圣愚化 文学批评 

分 类 号：I106.3[文学—世界文学]