“紧接上去的战斗号角”——论鲁迅小说《长明灯》的插图阐释  

"The next call to arms":On the Illustration Interpretation of Lu Xun′s Novel The Long-burning Lamp

作　　者：杨剑龙[1,2] YANG Jianlong(Guangqi International Scholars Center,Shanghai Normal University,Shanghai 200234,China;School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学光启国际学者中心,上海200234 [2]上海师范大学人文学院,上海200234

出　　处：《宿州学院学报》2022年第4期45-53,共9页Journal of Suzhou University

基　　金：国家社科基金重大项目(16ZDA188)。

摘　　要：鲁迅的《长明灯》以主人公疯子要吹熄长明灯为主事,被誉为《狂人日记》之后“紧接上去的战斗号角”。画家们先后为小说绘插图,成为以图释文解读作品的另一种风景。小说以阻挠吹熄长明灯营构矛盾,以人物对话的方式陈述情节,以命名与话语呈现人物性格,见出鲁迅从进化论走向阶级论途中的印痕,窥见鲁迅从启蒙走向反叛的心态。插图呈现出画家们不同的场景择取与人物刻画,基本上采用了写实性插图的方式,辅助实现文字的叙事功能,也呈现出某些不足与缺憾。Lu Xun′s The Long-burning Lamp focuses on the hero,the madman,blowing out the eternal light,which is known as"the next call to arms"after A Madman′s Diary.The painters have successively illustrated the novel,which has become another kind of scenery to interpret the work.The novel constructs the contradiction by blocking the blowing out of the long-burning lamp,to state the plot in the form of dialogue between characters,present characters by name and discourse,which can see Lu Xun′s imprint from evolution to class theory,from enlightenment to rebellion.The illustrations show the artists′choice of scenes and characters.It basically uses a realistic illustration tohelp implement the narrative function of words which presents some deficiencies and shortcomings.

关 键 词：鲁迅 长明灯 插图 阐释 

分 类 号：I210.97[文学—中国文学] J322[艺术—美术]