现实题材与现实主义方法之于舞蹈创作  

Realistic Theme and Realistic Method in Dance Creation

作　　者：赵大鸣 ZHAO Da-ming(Center for Culture and Arts of PLA,Beijing 100081,China)

机构地区：[1]解放军文化艺术中心,北京100081

出　　处：《北京舞蹈学院学报》2022年第1期4-9,共6页Journal of Beijing Dance Academy

摘　　要：文章围绕现实题材、现实主义创作方法和舞蹈创作三个方面的问题展开辨析和探讨。首先,以时间意义上的现在时以及是否与现在生活有关来界定现实题材是不够全面和准确的,真实性是判断现实题材的重要标准。其次,作为创作方法的现实主义,是指对待客观事物认识和理解的一种态度与原则,只有创作者深刻认识了生活本质,并以这样的态度和原则进行创作,成功塑造艺术形象,才是现实主义创作方法。最后,舞蹈编导不应该将题材内容撇开,而将动作形式前置于题材内容,舞蹈的作品内容、编导的艺术风格和艺术手段,应依靠变化的题材来滋养和丰富。This paper analyzes and discusses three aspects of realistic theme, realistic creation method and dance creation. Firstly, it holds that it is not comprehensive and accurate to define realistic theme according to the present tense in the sense of time or whether it is related to present life. It puts forward that authenticity is an important criterion for judging realistic themes. Secondly, as a creation method, realism refers to a kind of attitude and principle to understand objective things. The realistic creation method is only when choreographers have a deep understanding of the essence of life, create with such an attitude and principle, and successfully shape the artistic images. Finally, the paper points out that choreographers should not put the theme and content aside, but put the form of movement before the theme and content. The content of dance works, artistic style and means of choreography should be nourished and enriched by changing themes.

关 键 词：现实题材 现实主义创作方法 舞蹈创作 

分 类 号：J704[艺术—舞蹈]