传统京剧剧装缘饰的艺术特征探究  

Interpretation of the Artistic Features of Traditional Peking Opera Costumes Fringi

作　　者：齐玉 滕雪梅 王浈羽 Qi Yu;Teng Xuemei;Wang Zhenyu

机构地区：[1]北京联合大学艺术学院

出　　处：《服装设计师》2022年第6期73-79,共7页Fashion China

基　　金：北京市教育委员会社科计划重点项目(SZ201911417030)。

摘　　要：缘饰是中国传统服饰体系中重要的组成部分,并在京剧剧装中得到传承与发展。基于戏曲服装实物和文献资料,通过梳理缘饰在京剧剧装上的表现手法及应用状态,剖析京剧剧装缘饰所蕴含的传统戏曲审美价值和艺术特点。研究证明京剧剧装作为舞衣,其缘饰的艺术特征有别于传统服饰,强化表演形象的张力;缘饰作为表演符号具有舞台价值,充分体现了中国传统美学的审美意象。Fringi,as an important part of Chinese traditional costume system,has been inherited and developed in Peking Opera costumes.Based on the material objects and literature materials of opera costumes,by analyzing the expression techniques and application status of Fringi in Peking Opera costumes,the aesthetic value and artistic features of traditional operas contained in Fringi in Peking Opera costumes are deeply explored.It is proved that the artistic features of Fringi of Peking Opera costumes as stage costumes are different from those of traditional costumes,which strengthen the tension of performance images.Fringi,as a performance symbol,has stage value and embodies the aesthetic image of Chinese traditional aesthetics.

关 键 词：缘饰 京剧剧装 艺术特征 传统服饰 

分 类 号：J82[艺术—戏剧戏曲]