“狂的改样”--论杜甫的寓身认知与《夜归》诗的风格  

The Altered Form of the Conceit:on Du Fu's Embodied Cognition and the Style of His“Night Return”

作　　者：俞宁[1] YU Ning

机构地区：[1]美国西华盛顿大学,10007

出　　处：《杜甫研究学刊》2022年第2期1-18,共18页Journal of Du fu Studies

摘　　要：杜诗风格以“沉郁顿挫”为主,但不局限于此,如“狂态”的诗风。莫道才认为“狂”的美学反映了“一个不一样的杜甫,一个潇洒豪放的诗人,一个清狂的诗人”。吴怀东指出杜甫之狂是出于自身乃至时代的文化自信。本文利用认知诗学来研究杜甫的另一种狂态,即被卢世[ 氵隺]称为“狂的改样”,从而阐释杜甫神乎其技的身体书写,他对野生虎的认识和与之相生的一种特殊的,与“沉郁顿挫”大不相同的虎虎生威的“狂态”诗歌美学。Most of Du Fu’s poems are depressed and frustrated,but some are wild and undisciplined.Mo Daocai believes that the aesthetics of "madness" reflects "a different Du Fu,a bold and unrestrained poet,and a poet of conceit".Wu Huaidong pointed out that Du Fu’s conceit stemmed from the cultural self-confidence,both in the poet himself and in his times.This article uses cognitive poetics to examine another aspect of Du Fu’s conceit,named as "the altered form of the conceit" by Lu Shique,so as to explain Du Fu’ s amazing physical writing,his knowledge of wild tigers and the special conceit that comes with it,which is very different from his usual "depressed and frustrated" poems.

关 键 词：《夜归》 认知诗学 寓身认知 杜甫与野生虎 

分 类 号：I207.22[文学—中国文学]