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作 者:赵蕾 Zhao Lei(School of Literature and Law,North China University of Science and Technology,Langfang,Hebei 065201,China;School of Chinese Language and Literature,Hebei University,Baoding,Hebei 071002,China)
机构地区:[1]华北科技学院文法学院,河北廊坊065201 [2]河北大学文学院,河北保定071002
出 处:《保定学院学报》2022年第3期62-68,共7页Journal of Baoding University
摘 要:依据回归现场、理解作者创作意图的原则对小说《明天》再解读:小说是鲁迅应罗家伦约稿为《新潮》杂志的“妇女解放”专题所作,其创作动机和主题意向与五四运动后新的妇女解放热潮紧密相关;文本以单四嫂子为叙事线索,揭示出旧中国妇女问题背后封建礼教与蒙昧国民性的大罗网;作者借助叙事冲突、叙事镜像和叙事隐喻制造叙述张力,建构其关于内外世界差异的意义指向。Based on the principle of returning to the scene and understanding the author’s creation intention,the novel Tomorrow is reinterpreted:The novel was written by Lu Xun for the“women’s liberation”special topic of Trendy magazine at the request of Luo Jialun,and its creation motive and theme intention are closely related to the new“women’s liberation”craze after the May 4th Movement.Taking Shan Si sister-in-law as the narrative clue,the text reveals the great network of feudal ethics and obscurantist national character behind the issue of women in old China.The author uses narrative conflict,narrative mirror image and narrative metaphor to create narrative tension and construct the meaning direction of the difference between internal and external world.
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