从无产者到革命者——平林泰子“满洲”文学中的“阶级意识”流变  

From Proletarian to Revolutionary: The evolution of "class consciousness" in Hirabayashi Taiko’s Manchuria Literature

作　　者：李雁南[1] Li Yan-nan(Professor at South China Normal University,China Japanese Literature)

机构地区：[1]华南师范大学外国语言文化学院

出　　处：《日语学习与研究》2022年第2期17-24,共8页Journal of Japanese Language Study and Research

基　　金：2019年度国家社会科学基金一般项目“日本左翼作家的‘中国叙事’研究”(项目编号:19BWW029)的阶段研究成果。项目主持人:李雁南。

摘　　要：平林泰子在1924年19岁时到“满洲”流浪,这一经验成为她的初期作品《抛弃》《在慈善医院》《铺设列车》等的重要素材。在反复叙述“满洲”经验的过程中,平林泰子的“阶级意识”发生了质的飞跃,从倾诉个人经验转变为塑造无产阶级革命者群像,从对中国苦力的漠视和贬低转变为站在超越国界和民族的立场上呼吁全世界无产阶级联合革命。平林泰子的“满洲”文学是上世纪20到30年代日本无产阶级作家中国体验文学的一部分。正是因为有了他们笔下的中国劳动者形象的存在,才使日本近代文学中的中国形象没有完全被帝国主义意识形态的阴影所笼罩,有了革命的光辉的一面。In 1924, when she was 19 years old, Hirabayashi Taiko journeyed to Manchuria. This experience became an important resource for her early works such as Abandon, In Charity Hospital and Laying the Train. In the process of repeating the Manchuria experience, her "class consciousness" underwent a qualitative leap, from pouring out personal experiences to shaping proletarian revolutionary images, and from indifference and belittling of Chinese coolies to calling for a proletarian revolution. Hirabayashi’s Manchuria experience literature is a part of the Chinese experience literature of Japanese proletarian writers from the 1920s to the 1930s. It is precisely because of the existence of the image of Chinese laborers in their works that the image of China in modern Japanese literature has a glorious side and is not completely covered by the shadow of imperialist ideology.

关 键 词：平林泰子 “满洲”经验 日本无产阶级文学 阶级意识 

分 类 号：I313.06[文学—其他各国文学]