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作 者:陈光浩 张啸[2] CHEN Guang-hao;ZHANG Xiao(College of Literature,Southwest University,Chongqing,400715,China;College of Literature,Guangxi University for Nationalities,Nianni Guangxi,530007,China)
机构地区:[1]西南大学文学院,重庆400715 [2]广西民族大学文学院,广西南宁530007
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2022年第4期113-116,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)
摘 要:面对儒家诗教的情感羁束与精神压制,清初遗民内部各有见解。遗民群体对怨怒之情的表达合理性和彰显必要性虽然达成共识,但在具体的阐述方式上却迥然相异:一为力主重新界定诗教意涵,扩大温柔敦厚的诗学外延;一为完全否定儒家诗教并标榜诗可怨可怒。并且,明末诗潮的双重动向和遗民个体的诗学品性构成了纵向与横向上的内在动因。这一阐述分殊现象的价值阐发可放置于遗民诗学、儒家诗学和明末清初诗学三重诗学坐标系中进行分析,所呈现出的意义则更为全面、圆融。In the face of emotional restraint and spiritual repression of Confucian poetry,the adherents of the early Qing Dynasty had their own opinions.Although there is a consensus on the rationality and necessity of the expression of resentment among the adherents,the specific ways of elaboration are quite different:first,to redefine the meaning of poetry and expand the extension of gentle poetry;the first is that it is angry to completely deny the Confucian poetry teaching and praise poetry.Moreover,the dual trend of the poetry trend in the late Ming Dynasty and the individual poetic character of the adherents constitute the internal motivation in both vertical and horizontal.The value interpretation of this phenomenon can be placed in the triple poetic coordinate system of adherent poetics,Confucian poetics and poetics in the late Ming and early Qing Dynasties,and the significance is more comprehensive and integrated.
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