青花装饰中“墨分五色”的运用研究  

Study on the Application of Five Colors of Ink in Blue and White Decoration

作　　者：江简乒 Jiang Jianping(Jingdezhen Ceramic University,Jingdezhen 333000)

机构地区：[1]景德镇陶瓷大学,景德镇333000

出　　处：《江苏陶瓷》2022年第2期54-55,59,共3页Jiangsu Ceramics

摘　　要：西方色彩学在如今的时代似乎已经成为我们色彩运用的主流,而属于我们的历史与传统的色彩之根本,我们虽有意识其存在,却又似可有可无。对于传统观念的缺失,也就必然造成设计上的“力不从心”。本文通过对“墨分五色”的深入研究后,将其承载的传统色彩观念做出梳理,将其与陶瓷青花装饰结合在一起,并探究在陶瓷青花装饰上的运用,以便创作出更具有典型性传统文化内涵的青花装饰效果。Western chromology in today’s era seems to have become the mainstream of our use of color, and belongs to our history and traditional color, although we are conscious of its existence, but also seems to be dispensable for the lack of traditional ideas, it will inevitably cause the design of the powerless through the ink points five colors After in-depth research, the traditional color concept it carries is sorted out, combined with the ceramic blue and white decoration and explored its application in the ceramic blue and white decoration, in order to create a more typical traditional cultural connotation of blue and white decoration effect.

关 键 词：中国传统色彩观 墨分五色 陶瓷青花装饰 

分 类 号：J527[艺术—艺术设计]