库普兰德小说中的北美西海岸空间与时空乌托邦  

The West Coast of North America and Spatiotemporal Utopianism in Douglas Coupland’s Fiction

作　　者：秦臻 陈世丹[1] QIN Zhen;CHEN Shidan(School of Foreign Languages,Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学外国语学院,北京100872

出　　处：《重庆三峡学院学报》2022年第3期107-116,共10页Journal of Chongqing Three Gorges University

基　　金：国家社会科学基金项目“马丁·艾米斯小说中的后现代生态思想研究”(19BWW049);中国人民大学重点规划项目“西方后现代主义小说总论”(16XNLG01)。

摘　　要：北美西海岸空间是加拿大作家道格拉斯·库普兰德小说中的核心叙事空间,也是作者乌托邦思想的具象表征载体。库普兰德用动态的眼光审视北美西海岸长期被视为静止的城市、荒野和郊区三种独特且互相关联的空间,重思乌托邦与空间的关系,探索乌托邦希望。超真实的加州城市空间生产出已实现却走向末日的乌托邦;崇高的西海岸荒野空间蕴藏着天然存在却拒绝人类栖居的乌托邦;阈限性的温哥华郊区空间打破了城市和荒野之间的壁垒,以非正面对抗的方式缓和了人类和自然对撞产生的巨大张力,开启了通往时空乌托邦的希望之门。The West Coast of North America is the core narrative space in Douglas Coupland’s fiction and also the representational carrier of the author’s utopian thoughts.From a dynamic perspective,Coupland examines urban,wilderness and suburban spaces on the West Coast of North America,three distinct and interconnected spatial forms that have long been seen as static,rethinking the relationship between utopia and space,and exploring utopian hope in free and open spaces.The hyperreal urban space in California produces a realized but doomed utopia.The sublime wilderness space on the West Coast harbors a utopia that exists naturally but rejects human habitation.The liminal suburban space in Vancouver breaks down the barriers between the city and the wilderness,alleviates the huge tension generated by the collision between humans and nature in a non-confrontational way,and opens the door of hope to the spatiotemporal utopianism.

关 键 词：库普兰德 北美西海岸 空间批评 乌托邦 

分 类 号：I109[文学—世界文学]