韩锡胙戏剧的创作主旨与艺术特色  

Themes and Artistic Features of Han Xizuo’s Dramas

作　　者：郭婧 GUO Jing(Drama Institute,Jiangsu Provincial Academy of Culture and Arts,Nanjing 210005,China)

机构地区：[1]江苏省文化艺术研究院戏曲研究所,南京210005

出　　处：《湖北第二师范学院学报》2022年第4期32-36,共5页Journal of Hubei University of Education

基　　金：2019年国家社科基金重大项目“新中国成立70周年中国戏曲史(江苏卷)”(19ZD05)。

摘　　要：韩锡胙生活于康乾时期。随着明遗民的死亡、清朝统治时间的延长、文字狱的兴起,此时汉族的知识阶层大多不再像清初文人那样,内心蕴藏着强烈的反对民族压迫的思想意识。这个时期的剧作思想和体制等都更加多样化,产生了大量的作家和作品。韩锡胙正处在这个特殊的过渡时期,通过研究他的戏曲作品可以了解此时期文人剧作典型的创作特点,但是目前学界还无人关注到韩锡胙的剧作及其戏曲理论。本文试图对韩锡胙的创作作一个初步而全面的探究,借此为研究乾隆时期戏曲的繁荣现象寻找现实依据和理论铺垫。Han Xizuo lived in the period of Kangxi and Qianlong. With the death of the Ming dynasty residents,prolonged rule by the Qing dynasty and the imprisonment of the literary people, the intelligentsia of Han ethnic group no longer had strong opposition against oppression as the those at the beginning of the Qing dynasty did. During this period, a large number of writers and works with more diversified ideas and systems appeared. Han Xizuo lived in this special period of transition. People can understand the typical features of literati drama of this time through his plays. But now, no one pays attention to his dramas and opera theory. This paper tries to make a preparatory and comprehensive study of his plays in order to provide practical basis and theoretical basis for studying the prosperity of drama in the Qianlong period.

关 键 词：韩锡胙 《渔邨记》 《砭真记》 创作主旨 艺术特色 

分 类 号：I237[文学—中国文学]