绘制当代新乡村的心灵版图--孙惠芬《歇马山庄》与周大新《湖光山色》论  

Draw the spiritual map of contemporary new countryside--On Sun Huifen′s Xiema villa and Zhou Daxin′s scenery of lakes and mountains

作　　者：李小红[1] 贺婧洋 LI Xiao-hong;HE Jing-yang(Department of chinese Language and Literature,Northwest Minzu University,Lanzhou730000,China)

机构地区：[1]西北民族大学中国语言文学学部,兰州730000

出　　处：《兰州交通大学学报》2022年第3期152-157,共6页Journal of Lanzhou Jiaotong University

基　　金：甘肃省青年博士基金项目“当代西部少数民族文学中的中华民族共同体意识研究”(2021QB-149)的阶段性成果。

摘　　要：在中国百余年的现代化进程中,最令人瞩目的社会转型发生在有着悠久农业社会形态和以儒释道兼容互补的传统文化为内核的乡村,乡村遂成为20世纪中国文学的叙事原型和母题。进入新世纪以来,感应着中国乡土社会发生的剧烈变动,孙惠芬的《歇马山庄》与周大新的《湖光山色》以处在历史巨变中的农村为叙事基点,塑造出一系列在城市与乡村、传统与现代中进行艰难抉择的生动鲜活的农民形象,绘制出当代新乡村的心灵版图。而这种心灵版图的绘制,得益于两位作家与乡村生活建立了血肉联系,新乡村写作经验与乡村故事的结合,能够让作家发现隐藏在乡村生活表象之下的潜流,对乡民的心理进行深度描摹,画出他们的心灵之象。In the course of China’s modernization for more than one hundred years,the most remarkable social transformation took place in the countryside with a long agricultural social form and traditional culture with Confucianism,Buddhism and Taoism as the core.The countryside became the narrative prototype and motif of Chinese literature in the 20 th century.Since entering the new century,sensing the dramatic change of Chinese rural society,hui-fen sun"xiema village"and Zhou Daxin of the lakes and mountains with historical changes in rural narrative basis points,to create a series of in urban and rural,traditional and modern hard choices of vivid image of farmers,to map the contemporary new mind map in the countryside.The drawing of this mental map is due to the fleshly connection between the two writers and rural life.The combination of new rural writing experience and rural stories enables the writer to discover the undercurrent hidden under the surface of rural life,and make an in-depth description of the psychology of the villagers and draw their mental images.

关 键 词：乡村书写 心灵版图 生活经验 

分 类 号：I247.5[文学—中国文学]