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作 者:崔琨[1] 高长春 CUI Kun;GAO Chang-chun(College of Music,Anhui Normal University,Wuhu 241000,China)
出 处:《赤峰学院学报(哲学社会科学版)》2022年第5期79-82,共4页Journal of Chifeng University:Philosophy and Social Science Chinese Edition
基 金:2020年安徽省教育厅人文社会科学重点项目“皖北民间唢呐艺术特征研究”(SK2020A0080)。
摘 要:我国传统民间器乐演奏形式种类繁多,以吹奏乐器与打击乐器为主的器乐合奏形式便是典型的民间传统吹打乐。作为国家非物质文化遗产的安徽民间吹打乐在皖北和皖南山区等地广为流传。本文主要从安徽不同地区吹打乐的音乐风格方面展开论述,对安徽民间吹打乐的文化含义及艺术神韵进行思考和探索,通过吹打乐在高校的普及推广,以学生为载体,实现吹打乐在全国的活态传承和文化传播,使其发挥更多的学术价值与应用价值。There are many kinds of traditional folk instrumental music in China,and the ensemble form of wind instrument and percussion instrument instrument is the typical folk traditional wind and percussion music.As a national intangible cultural heritage,Anhui folk wind and percussion music is widely spread in northern Anhui and southern Anhui mountainous areas.This paper mainly discusses the musical style of wind and percussion music in different areas of Anhui Province,ponders and explores the cultural meaning and artistic charm of the folk wind and percussion music in Anhui Province,through the popularization of wind and percussion music in colleges and universities,taking students as carriers,to realize the living inheritance and cultural transmission of wind and percussion music in the whole country,so that it can exert more academic value and applied value.
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