曲中有画——谭盾钢琴组曲《忆》中音乐与水彩画的交融  

The Integration of Music and Watercolor in Tan Dun's Piano Suite Memory

作　　者：韩宇 金慧 HAN Yu;JIN Hui(School of Music,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学音乐学院,浙江杭州311121

出　　处：《美育学刊》2022年第3期93-97,共5页Journal of Aesthetic Education

摘　　要：起源于西方的水彩画以其独特的艺术语言,给人以灵动、雅致的视觉效果。国际作曲大师谭盾从家乡湖南风土文化中获取灵感而作的钢琴组曲《八幅水彩画的回忆》,是将美妙的音符换作神奇的“画笔”,生动细致地描绘了一幅幅湖南乡土气息浓郁的缤纷水彩画卷,而探析其作品中音乐与水彩画的交融,能以不同视角理解作品的艺术内涵。Originated from the West,the watercolor painting with its unique artistic language,gives people a smart and elegant visual effect.Tan Dun,the international composer,inspired by the local culture of his hometown in Hunan,composed the piano suite Eight Memories in Watercolor,or Memory for short.Taking the wonderful notes as a magical“brush”,he vividly and meticulously depicted the colorful watercolor paintings with a strong local flavor in Hunan.By analyzing the integration of music and watercolor in his works,a good understanding of the artistic connotation in his works from different perspectives can be achieved.

关 键 词：钢琴曲 水彩画 《八幅水彩画的回忆》 谭盾 

分 类 号：J647.41[艺术—音乐]