论归懋仪诗词中的意象  

On the Imagery in the Poems of Gui Maoyi

作　　者：苗瑞雪 Miao Ruixue(School of Education, Minzu University of China, Beijing 100081, China)

机构地区：[1]中央民族大学教育学院,北京100081

出　　处：《河北科技师范学院学报（社会科学版）》2022年第1期71-76,共6页Journal of Hebei Normal University of Science & Technology(Social Sciences)

摘　　要：归懋仪是清代随园女诗人的代表之一,其诗词意象表现艺术主要体现在三方面。首先,归懋仪较多采用植物、动物和物候等自然意象,偶尔运用闺阁之物、乐器类等人文意象,来表达自己的主观情思;其次,意象表现方式灵活多样,有辐射式、对比式和并列式等;最后,在意象的功能与内涵方面,归懋仪的诗词从图景描绘到以言寓情,再从意境烘托到沟通共鸣,层层递进,显示出丰富性和层次感。Gui Maoyi is one of the representatives of the female poets of the Suiyuan School in the Qing Dynasty;her art of poetic imagery expression is mainly reflected in three aspects.Gui Maoyi repeatedly uses natural imagery such as plants,animals and phenology,and occasionally uses humanistic images such as boudoir objects and musical instruments to express her subjective feelings.The expression of imagery is flexible and varied,including radiation,contrast and juxtaposition.In terms of the function and connotation of imagery,Gui Maoyi’s poems show rich hierarchy with pictorial depiction,feeling expression,mood setting,and resonance.

关 键 词：归懋仪 意象选择 表现方式 功能 

分 类 号：I207.22[文学—中国文学]