革命风景的生产机制及其局限——以十七年革命小说为例  

Production Mechanism and Limitation of Revolutionary Landscape in the Seventeen-year Revolutionary Novels

作　　者：柯弄璋 KE Nongzhang(School of Journalism and Media,Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学新闻与传媒学院,重庆401331

出　　处：《宜宾学院学报》2022年第5期99-108,共10页Journal of Yibin University

基　　金：重庆市社会科学规划博士项目“‘十七年’小说中的风景机制与政治认同”(2020BS24)。

摘　　要：十七年革命小说中的风景有着独特的生产机制,其发现风景的主体由“内在的人”转向关心政治生活的“外向人”,形成了同叙述者凝视和异叙述者凝视(俯瞰)的风景形态,而风景的线状、点状、线—点综合等细节构造由直观义转向隐喻着种种革命精神,风景功能则主要偏向作为战争调节与过渡的叙事作用。这些革命风景描写一定程度上降低了风景的自然审美价值,而且存在缺乏多维度描写形式的局限。There are some unique production mechanisms in the description of landscape in the seventeenyear revolutionary novels. The person who discovers landscape turns from inner man to extrovert man who cares about politics, thus forming the landscape form of the same narrator gaze and the different narrator gaze(overlooking). The details of landscape description, such as line, dot, line-point, etc., have changed from intuitive meaning to metaphor of various revolutionary spirits, and the function of landscape is to adjust the violence of war and the transition between war and peaceful life. These revolutionary landscape descriptions have reduced the natural aesthetic value of the landscape, and there are limitations in the lack of multi-dimensional description forms.

关 键 词：十七年小说 革命风景 生产机制 局限 

分 类 号：I206.7[文学—中国文学]