从庄重叙事到商业叙事的关节点——重评王朔处女作《等待》  

The Watershed from Solemn Narrative to Commercial Narrative--Reappraisal of Wang Shuo9s Debut Work Waiting

作　　者：汤凯伟 TANG Kaiwei(School of Literature,Zhejiang Normal University,Jinhua 321004,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《南昌师范学院学报》2022年第2期57-62,共6页Journal of Nanchang Normal University

摘　　要：《等待》作为王朔登上文坛的处女作,其历史地位一直被忽视,其历史意义的探求依旧需要被重视。从内部看,《等待》的三个重要艺术特质是:独特的女性视角、人物结构的巧妙设定和故事安排的精巧。从外部来看,《等待》的成功发表与它暗合“伤痕文学”的主流有紧密关系,同时也展现了“大院子弟”的“伤痕”。《等待》的发表和引发的轰动效应促使着王朔著作权意识的觉醒,这亦是王朔创作商业化倾向转变的一个重要契机。The historical status of Wang Shuo's debut work Waiting has been ignored for a long time,and its significance needs to be further explored and valued.From the internal point of view,Waiting includes three important artistic characteristics,namely the unique female perspective,the subtle arrangement of character relationships and the ingenious development of the plot.From the external point of view,the successful publication of Waiting has a close relationship with the mainstream of Scar Literature,and the work also shows the psychological truama of the young people who once lived on the government compound.Besides,the publication of Waiting and the sensation it caused have promoted Wang Shuo's awareness of copyright,which is also an important reason for the transformation of his commercial tendency.

关 键 词：王朔 《等待》 伤痕叙事 著作权意识 

分 类 号：Z106[文化科学]