关于元杂剧《陈州粜米》研究的评述及思考  

A Review and Reflection on the Research of Yuan Drama Selling Rice in Chenzhou

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作  者:周厚波 蒋小平[1] ZHOU Hou-bo;Jiang Xiao-ping

机构地区:[1]安徽大学艺术学院,安徽合肥230002

出  处:《民族艺林》2022年第2期32-40,共9页Journal of Ethnic Art

摘  要:20世纪80年代以来,关于元杂剧《陈州粜米》的学术研究不断涌现,大致可分为两类:一是对该剧中包公人物形象的研究,二是对作品主题的研究。其中对包公形象的研究具有概括性和前沿性,且注重与文艺理论的结合;对戏剧作品主题的研究则具有系统化、精细化的特点。除此之外,还有对作品其他方面的研究。整体看来,研究视野不断开阔,涉及范围逐步扩大。本文对《陈州粜米》的多元化、多视角学术研究进行回顾与梳理,客观地辨析以往研究中存在的问题,并作出浅显的思考,以期后续学者将《陈州粜米》的研究成果加以丰富和完善。Since the 1980s,the academic research on the drama in the Yuan Dynasty Selling Rice in Chenzhou has been emerging,which can be roughly divided into two categories:one is the research on the character image of Bao Gong in the play,and the other is the research on the theme of the work.Among them,the research on the image of Bao Gong is general and cutting-edge,and pays attention to the combination with literary and artistic theory;the research on the theme of drama works has the characteristics of systematization and refinement.In addition,there are other aspects of the work.On the whole,the research vision is broader and the scope is gradually expanded.This paper reviews and combs the diversified and multiple perspectives analysis of Selling Rice in Chenzhou,objectively analyzes the problems existing in previous research,and makes simple comments in order to enrich and improve the research results of Selling Rice in Chenzhou by subsequent scholars.

关 键 词:《陈州粜米》 包公形象 作品主题 评述 思考 

分 类 号:J805[艺术—戏剧戏曲]

 

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