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作 者:杨艳宏 YANG Yan-hong
出 处:《民族艺林》2022年第2期125-134,共10页Journal of Ethnic Art
摘 要:新中国成立初期,连环画艺术创作趋于成熟,成为各方面的艺术创作者施展才华、表达自我对当下时代、社会的认知和感悟的一个主要平台。其中中国画元素的连环画创作不仅接续了连环画艺术表现媒介本源上的发展线,而且在中国南北领域都得到了创新发展,中国画元素的继承与创新使连环画创作整体水平上升到了一个更高的台阶,开创了连环画创作的新局面。In the early days of the founding of China,the comic strip creation tended to become more and more mature,which has become a main platform for artists from all walks of life to display their talents and express their cognition and understanding of the present age and society.Among them,the creation of comic strips of Chinese paintings elements not only continues its original line of development in the medium of comic art expression,but also has made innovative development in the fields of north and south of China,the overall level of comic creation is raised to a higher level and creates a new situation of comic creation.
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