《鼎峙春秋》与京剧《投刘表》关系考论  

On the Relationship between Ding Zhi Chun Qiu and Bejing Opera of Tou Liu Biao

作　　者：李小红[1,2] LI Xiaohong(Institute of Traditional Chinese Opera,National Academy of Chinese Theatre Arts,Beijing 100073,China;Beijing Opera Culture Inheritance and Development Research Center,National Academy of Chinese Theatre Arts,Beijing 100073,China)

机构地区：[1]中国戏曲学院戏曲研究所,北京100073 [2]中国戏曲学院北京戏曲文化传承与发展研究基地,北京100073

出　　处：《江苏海洋大学学报（人文社会科学版）》2022年第3期79-87,共9页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

基　　金：国家社会科学基金艺术学重大项目“中国戏曲历史题材创作研究”(20ZD23)。

摘　　要：京剧《三国志》与清宫大戏《鼎峙春秋》的关系,历来说法不同:一说由《鼎峙春秋》改编而来;一说据《三国演义》改编并参照了《鼎峙春秋》;一说改编自《三国演义》,与《鼎峙春秋》无关。详细对比卢胜奎所编诸剧与《鼎峙春秋》的文本,可以发现京剧《三国志》除了体制与《鼎峙春秋》基本相同均为连台本外,其内容基本依据《三国演义》改编,其唱词与楚曲《祭风台》多处相同,实与《鼎峙春秋》不存在承袭关系。以《投刘表》为例,其角色设置、故事演进、针线疏密、场面冷热、语言风格等诸多方面均与《鼎峙春秋》不同,体现了民间与宫廷、小传统与大传统的迥然不同。The relationship between Ding Zhi Chun Qiu and Records of the Three Kingdoms is always different.One holds that it is adapted from Ding Zhi Chun Qiu;the other holds that it is adapted from The Romance of the Three Kingdoms and referred to Ding Zhi Chun Qiu;and one theory is adapted from The Romance of the Three Kingdoms,which has nothing to do with Ding Zhi Chun Qiu.Through a detailed comparison between the dramas compiled by Lu Shengkui and the texts of Ding Zhi Chun Qiu,it can be found that except that the system of Records of the Three Kingdoms is basically the same as that of Ding Zhi Chun Qiu,which are all connected versions,its content is basically adapted based on The Romance of the Three Kingdoms,and its lyrics are the same in many places with the Chu song of Jifengtai,which has nothing to do with Ding Zhi Chun Qiu.Taking Tou Liu Biao as an example,its role setting,story evolution,density of stitches and threads,cold and hot scenes,language style and many other aspects are different from Ding Zhi Chun Qiu,which reflects the great differences between folk and court,small tradition and big tradition.

关 键 词：《鼎峙春秋》 《投刘表》 卢胜奎 京剧三国戏 

分 类 号：J805[艺术—戏剧戏曲]