“三言”中民间佛教语境下的苏轼形象分析——兼谈历代苏轼与佛印故事的演变  

An Analysis of Su Shi’s Image in the Context of Folk Buddhism in "San Yan": The Evolution of Su Shi and Buddha Seal Stories in the Past Dynasties

作　　者：吴丽莎 WU Lisha(College of Liberal Arts,Fujian Normal University,Fuzhou Fujian 350007,China)

机构地区：[1]福建师范大学文学院国家人才培养基地,福建福州350007

出　　处：《乐山师范学院学报》2022年第5期15-21,共7页Journal of Leshan Normal University

摘　　要：苏轼与佛印的交往是历代东坡故事所热衷表现的情节,因此探究民间佛教语境下的苏轼形象是值得关注的课题。苏佛故事中,明代冯梦龙“三言”所辑《明悟禅师赶五戒》与《佛印师四调琴娘》为同类故事的代表。文章以此为基础,比较两者之间苏轼形象的异同,并结合社会和思想背景,探究创作者与受众对民间苏轼形象的态度。通过历史溯源,梳理苏轼佛印故事发展脉络,以期进一步挖掘民间佛教语境下的苏轼形象所包含的文化内蕴。The communication between Su Shi and Buddha Seal is the plot of Dongpo stories in the past dynasties. Therefore, it is worth paying attention to explore the image of Su Shi in the context of Folk Buddhism.In Su Shi and Buddha Seal stories, Ming Wu Chan Shi Gan Wu Jian and Fo Yin Shi Si Tiao Qin Niang compiled by Feng Menglong’s "San Yan" in the Ming Dynasty are the representatives of similar stories. On this basis, this paper compares the similarities and differences of Su Shi’s image between the two, and explores the attitude of the creator and the audience towards the folk image of Su Shi in combination with the social and ideological background. Through historical tracing, this paper combs the development context of Su Shi’s Buddha Seal story,in order to further explore the cultural connotation of Su Shi’s image in the context of Folk Buddhism.

关 键 词：“三言” 苏轼 佛印 历史溯源 

分 类 号：I206[文学—中国文学]