毛泽东旧体诗词及其文体意义  

Mao Zedong’s Old-style Poems and Their Stylistic Significance

作　　者：吴进[1] Wu Jin(Xi’an Fanyi University,Xi’an Shaanxi 710105)

机构地区：[1]西安翻译学院,陕西西安710105

出　　处：《西安翻译学院论坛》2022年第2期36-42,共7页Forum of Xi'an Fanyi University

基　　金：2016年国家社科基金项目“毛泽东文体及其影响研究”的阶段性成果,项目编号:16BZW144。

摘　　要：毛泽东的旧体诗词是最能反映他个人情感的文体表达,也能够以他喜欢并感觉惬意的方式进入到他自己的心理纵深,从而成为毛泽东个人文体最有实质意义的部分。相对于他的政论文和不同文体的党内文件,他的旧体诗词数量极少,但却因此具有了难以取代的重要价值。但另一方面,毛泽东旧体诗词的写作又经历了一个“去个人化”的过程,又对他喜爱的旧体诗词及其特有的调子进行了一种革命化的改造,具有了后来成为公众文体和文学文体的毛泽东文体的雏形和架构。Mao Zedong’s old-style poems can best reflect his personal emotions,and they can also reveal Mao’s thoughts in a preferable way,thus these poems become the most substantial part of Mao’s personal style.Compared with Mao’s political articles and diverse writings for the Party,the amount of his old-style poems is very small,but these poems are of great value,and hard to be replaced.On the other hand,Mao Zedong’s old-style poems,with their unique tones,have been“deindividualized”,and later transformed into the public and literary ones in style and structure.

关 键 词：毛泽东 旧体诗词 文体意义 

分 类 号：I206[文学—中国文学]