空纳千万境,无形胜有形--中日传统演剧舞台空间简论  

A Brief Analysis of the Stage Space of Traditional Chinese and Japanese Drama

作　　者：麻国钧[1] MA Guojun(The Central Academy of Drama,100710,Beijing,China)

机构地区：[1]中央戏剧学院戏剧文学系,北京100710

出　　处：《北方工业大学学报》2022年第3期14-31,共18页Journal of North China University of Technology

基　　金：中央戏剧学院院内平行项目“东亚传统演艺空间文化比较研究”(YNPX1701)。

摘　　要：戏剧是一门表现时空的艺术,演出也要在一定的空间中进行。东西方传统戏剧在戏内空间的处理方式与展演空间的表现方式上有很大不同。从传统演剧舞台空间来看,东方戏剧在演剧空间处理上有普遍性规律可循,呈现出动静并存、阴阳互动、自由流转、纵横交织、以虚写实、以小博大的特点。这些世代累积的特质在观演双方默契中获得极强的稳定性,为艺术家的创作与演出提供了广阔的空间。Drama is an art of conveying time and space,and performance should be carried out in a certain space.There exist great differences between the eastern and western traditional dramas concerning the treatment of the inner space and the expression of the performance space.From the perspective of the traditional stage space,oriental dramas have universal rules to follow in the treatment of the stage space,characterized by coexistence of movement and stillness,interaction of Yin and Yang,free circulation,interweaving of vertical and horizontal,virtual realism,and symbolism.These characteristics accumulated over generations are highly stable with the mutual understanding between the audience and the actors,providing a broad space for the creation and performance of artists.

关 键 词：东方戏剧 戏曲艺术 演出空间 东方文学 中日比较文学 

分 类 号：J801[艺术—戏剧戏曲]