新时期革命历史题材影视作品的女性影像写作——以电视剧《啊摇篮》为例  

On Creating Female Images in Film and Television Works with Revolutionary Historical Themes in the New Period——Take the TV Series The Cradle!for an Example

作　　者：陈思博 Chen Sibo(School of Liberal Arts,Zhaoqing University,Zhaoqing 526000,China;College of Liberal Arts,Kyungnam University,Kyungnam 51767,Korea)

机构地区：[1]肇庆学院文学院,广东肇庆526000 [2]韩国庆南大学文学院,韩国庆南51767

出　　处：《黑河学院学报》2022年第5期138-140,143,共4页Journal of Heihe University

摘　　要：在新时期中国革命历史题材影视作品中,一些影像作品以其独特的艺术手法,塑造了诸多具有鲜明性格特征和高尚思想境界的女性形象,给观众留下了难以忘怀的印记。《啊摇篮》以革命战争为叙事背景,以历史真实的女性解放军为视角,利用好莱坞叙事,聚焦革命后方保育工作,多维度重现了中国革命的历史事实。林柯导演将真实历史事件进行艺术加工,用小事件凸显大主题,以小人物讲述大历史,艺术虚构与历史真实碰撞,形成了影片虚实相生,有血有肉的艺术张力,为新时期中国影视作品女性影像写作做出了贡献。In the film and television works with Chinese revolutionary historical themes in the new period,a lot of female images with distinctive character traits and noble ideological realm are created with unique artistic techniques,leaving unforgettable impressions on the audience.The Cradle!narrates the real female liberation army in the revolutionary war,focuses on the care work behind the revolution by using Hollywood narration,and reproduces the historical facts of the Chinese revolution from a multi-dimensional perspective.Director Lin Ke has made artistic processing of real historical events:highlighting big themes with small events,telling great history with little people,producing the collision between artistic fiction and historical reality,and forming the vivid artistic tension involving virtual and actual reality,which has made contributions to creating the female image in Chinese film and television works in the new era.

关 键 词：革命历史题材 影视作品 女性影像 摇篮精神 

分 类 号：J905[艺术—电影电视艺术]