永嘉:文化地理符号与清代谢灵运诗歌的经典化  

YongJia:a Cultural Geographical Sign and the Canonization of XIE Lingyun′s Poems in the Qing Dynasty

作　　者：王玉林 WANG Yulin(School of Literature,Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《洛阳理工学院学报（社会科学版）》2022年第3期66-70,共5页Journal of Luoyang Institute of Science and Technology：Social Science Edition

摘　　要：永嘉既是行政概念,又是文化地理概念。清代部分山水诗及仿谢灵运诗中多次出现的“永嘉”地理符号,不仅是坚守和传承永嘉地域文化的载体,也是谢灵运诗歌经典化过程中的重要发生路径。“春草池”“富春渚”“七里濑”“谢公岭”等文化地理符号,是清人建立对谢灵运诗歌经典性认知的重要媒介。清人仿谢诗通过对谢灵运所建构的“永嘉”地理空间进行审美感知、艺术重构和情感共振,客观呈现谢灵运诗歌在清代的内时间意识经典化历程。Yongjia is not only an administrative concept,but also a cultural geography concept.The geographical symbol"Yongjia",occurring many times in some landscape poems and imitative poems of XIE Lingyun in the Qing Dynasty,is not only the carrier of adhering to and inheriting the regional culture of Yongjia,but also an important path in the process of XIE Lingyun′s poetry canonization.Cultural and geographical symbols,such as"Chuncao CHI(spring grass pond)","Fuchun ZHU(small pieces of land in Fuchun River)","Qili LAI(the quay of Seven Li)"and"Xiegong LING(the mountains named after XIE Lingyun)",were important media for people in the Qing Dynasty to establish a classical cognition of XIE Lingyun′s poems.Through the aesthetic perception,artistic reconstruction and emotional resonance of the geographical space of"Yongjia"constructed by XIE Lingyun,people′s imitation of XIE Lingyun′s poems in the Qing Dynasty also objectively presents the course of the canonization of XIE lingyun′s poems in the Qing Dynasty.

关 键 词：谢灵运 永嘉 地理符号 仿谢诗 经典化 

分 类 号：I206.2[文学—中国文学]