论唐代乐工歌妓文化对唐诗创作和传播的影响  

On Influence of Music Worker and Female Entertainer Culture on Composition and Spreading of Tang Poetry

作　　者：刘天骄[1] LIU Tian-jiao(Dalian University of Finance and Economics,Dalian 116622,China)

机构地区：[1]大连财经学院,辽宁大连116622

出　　处：《宜春学院学报》2022年第5期69-72,88,共5页Journal of Yichun University

摘　　要：在唐代生产力快速发展及社会分工的细化背景下,涌现出大量的乐工歌妓,他们活跃于社会上的各个文化空间,与唐代的音乐、文化发展息息相关。乐工歌妓作为唐诗的演唱者甚至创作者,影响了对唐诗的创作及传播发展。通过探析可知,唐代乐工歌妓文化对唐诗的题材、风格的形成发展具有一定的影响,一是律诗这种体裁的诞生,二是唐代宫妓制对宫廷诗之兴盛的推动,三是中晚唐冶游狎妓之风对艳诗创作的影响。而唐代歌妓作为唐诗的演唱者、创作者以及参与者,更是促进了唐诗的传播发展。Under the background of the rapid development of productivity and social division of labor in the Tang Dynasty,a large number of musical workers and geisha emerged.They were active in various cultural Spaces in the society and were closely related to the development of music and culture in the Tang Dynasty.As the singer and even the creator of the Tang poetry,geisha influenced the spread of the Tang poetry.By analyzing and analyzing,it can be seen that the music workers and geisha culture in tang Dynasty had certain influence on the formation and development of the theme and style of tang poetry.It was the birth of the genre of regulated poetry,the promotion of the palace prostitute system in tang Dynasty to the prosperity of court poetry,and the influence of the whorehouse style on the creation of erotic poetry in the middle and late Tang Dynasty.Geisha,as the singer,creator and participant of tang poetry,promoted the spread and development of tang poetry.

关 键 词：唐代 乐工歌妓文化 歌妓制度 唐诗 影响 

分 类 号：I207.22[文学—中国文学]