瓦尔帕莱索事件中的消费批判  

Criticism of Consumption in the Valparaiso Incident

作　　者：张蕊 ZHANG Rui(Cunjin College,Guangdong Ocean University,Zhanjiang 524096,China)

机构地区：[1]广东海洋大学寸金学院,广东湛江524096

出　　处：《江西电力职业技术学院学报》2022年第2期167-168,共2页Journal of Jiangxi Vocational and Technical College of Electricity

基　　金：广东哲学社会科学“十二五”“2015”外语学科专项(课题编号:GD15W214)阶段性成果;2018年广东海洋大学寸金学院院级重点学科建设项目与科研、专利项目“德里罗短篇小说研究”(课题编号:CJKY201802)阶段性成果。

摘　　要：信息社会中媒介的影响无处不在。戏剧《瓦尔帕莱索》讲述了媒介消费对人的影响,借用让·波德里亚的消费理论,从媒介消费、隐私消费、事件消费三个方面入手,分析了“瓦尔帕莱索事件”包含的三种不同的符号意义,并指出三种符号消费最终转向一种情绪消费,旨在提醒人们在拥抱媒介和技术,满足好奇心的同时,看到其带来的弊端,重视人类最基本的情感与交流的需求。The influence of media is ubiquitous in the information society.The play Valparaiso tells about the influence of media consumption on people.Borrowing Jean Baudrillard’s consumption theory,starting from three aspects of media consumption,privacy consumption and event consumption,it analyzes the “Valparaiso Incident” including three different symbolic meanings,and points out that the three kinds of symbolic consumption eventually turn to one kind of emotional consumption,which aims to remind people to embrace media and technology,satisfy their curiosity,see the drawbacks they bring,and pay attention to the most basic human beings.Emotional and communication needs.

关 键 词：消费 媒介 身份 瓦尔帕莱索事件 批判 

分 类 号：I207[文学—中国文学]