从仪式戏剧到世俗戏剧:广西毛南戏形态类型探析  

From Ritual Theatre to Secular Theatre:An Analysis of Types of Maonan Opera in Guangxi

作　　者：李倩倩 黄爱华[1] Li Qianqian;Huang Aihua

机构地区：[1]杭州师范大学人文学院

出　　处：《戏剧（中央戏剧学院学报）》2022年第2期136-145,共10页Drama:The Journal of the Central Academy of Drama

基　　金：浙江省哲学社会科学重点研究基地“文艺批评研究院”资助项目。

摘　　要：广西毛南戏的最早形态是毛南傩戏,属于仪式戏剧范畴。毛南傩戏适应世俗化发展趋势,大致沿着两个方向完成其形态建构:一是在傩文化范畴内继续保持早期毛南傩戏的仪式性特征,但增强世俗性内容以与现代社会接轨;二是吸收民间文艺和汉、壮民族戏剧艺术营养,在保留鲜明民族特色的基础上沿着戏剧化、世俗化方向发展,演进成本文称之为“现代毛南戏”的世俗戏剧。现代毛南戏是毛南傩戏的进化体,已成功发展为综合性戏曲剧种。The earliest Maonan Opera in Guangxi is Maonan Nuo Opera,a type of ritual theatre.To adapt to the trend of secularization of Maonan Nuo Opera,it has evolved in two directions:one is to keep the ritualistic characteristics of early Maonan Nuo Opera regarded as part of nuo culture while adding secular elements to cater to the audience in modern society;the second is to draw on folk literature and art,especially theatre of Han and Zhuang ethnic groups in theatricalization and secularization of Maonan Opera to create“Modern Maonan Opera”,a secular opera with ethnic flavor.Modern Maonan Opera,a descendent of Maonan Opera,has become a comprehensive type of opera.

关 键 词：广西毛南戏 仪式戏剧 世俗戏剧 毛南傩戏 现代毛南戏 

分 类 号：J82[艺术—戏剧戏曲]