文人结社与清末民国旧体诗的现代上海书写  

Literati association and modern Shanghai writing of old-style poems in the late Qing Dynasty and the Republic of China

作　　者：袁志成[1] YUAN Zhicheng(School of Humanities,Hunan City University,Yiyang 413000,China)

机构地区：[1]湖南城市学院人文学院,湖南益阳413000

出　　处：《中南大学学报（社会科学版）》2022年第3期208-216,共9页Journal of Central South University：Social Sciences

基　　金：湖南省社科基金“近代文人结社与传统文化的传承发展研究”(19JL04);湖南省社科基金“抗日时期旧体诗价值构成研究”(18YBQ016)。

摘　　要：上海作为清末民国最为著名的国际化大都市,汇聚了多种文化形态,吸引了大批旧式文人,报刊为文人的雅集唱和创造了前所未有的条件,自由吟咏、自由表达的意识以及文人社团自觉的传播意识得到了充分体现,上海作为文学创作的专门题材得到前所未有的重视。文人社团通过描写新事物、新风气,凸显上海的文明、时尚和摩登,并借助对上海本地历史遗迹、具体物象的吟咏,勾勒其兼容并包的形象。同时,他们也对上海的阴暗面进行了审视和反思。他们笔下的上海既是新奇的、物欲的、诱惑的,又是古老的、超然的、怡乐的,折射出现代人行为的矛盾性和精神的困惑,触及了“现代化”背景下生存、生活的时代命题。In the late Qing and the Republic of China,Shanghai,as the most famous international metropolis in modern times,gathered various cultural forms and attracted a large number of old-style literati.The newspapers and media created unprecedented conditions for their singing.The consciousness of free chanting,free expression,and the conscious communication consciousness of the literati community were fully realized.So,Shanghai,as a specialized theme of literary creation,received unprecedented attention.The literati community,by describing new things and new trends,highlighted Shanghai’s civilization,fashion and modernity,and by resorting to the chants of Shanghai’s local historical relics and concrete objects,outlined its inclusive image.At the same time,they also reviewed and reflected on the dark side of Shanghai.The Shanghai in their works was not only novel,materialistic,and seductive,but also ancient,detached,and pleasant,reflecting the contradictory nature and spiritual confusion of modern people,and touching the proposition of the times of the existence and life in the background of"modernization".

关 键 词：上海 清末民国 文人结社 现代书写 

分 类 号：I207.2[文学—中国文学]